Over 150 essential mantras for anyone interested in taking good pictures.
In Photography Rules, Paul Lowe (expert photographer and lecturer) guides you through over 150 bite-sized dos and don’ts from the likes of Dorothea Lange, Don McCullin, Martin Parr, Rankin and Richard Avedon. Whether you’re a complete beginner using your iPhone, looking to improve your DSLR skills or are already a professional, this book will give you insider tips inspired by the greatest photographers from history as well as original pieces of advice from some of the most well-respected living photographers.
Each of the pithy entries will combine a specific rule and a supporting photograph or quote with commentary from the author on how best to put the advice into practice. Chapters include:
Making Photographs: Practical tips for taking great photographs, covering genre, composition, operational function, working with your subject, lighting, post-production and printBeing a Photographer: Insider guidance on attitude, creativity, understanding photography and finding your purposeProfessional Practice: Dos and don’ts about being a professional, working with clients, marketing yourself, developing your career, making money and collaborations With succinct, accessible and engaging entries, expert advice from the author, and original quotes from the some of the greatest living photographers – readers can either dip in at random or read religiously for lessons in how to produce photographs they’re proud of. This is the perfect book for students, amateurs or professional photographers looking to improve their skills and find inspiration.
Photography Rules: Essential Dos and Don’ts from Great Photographers by Paul Lowe
My rating: 5 of 5 stars
FTC disclosure: I would like to thank Quarto Publishing Group – White Lion Publishing for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
This was the perfect book for me. It met me right where I was at. I’d recommend it to any photographer with similar sentiments to me as it provided a unique, thoughtful compilation of the great advice and a well-tailored focus of image examples out there.
It was refreshing to read and brought a distinguished and inspirational element to the photography section of my bookshelf.
It wasn’t a sell on equipment branding and specs, or a historical timeline of photography through the ages, an exhaustive technical how to, a recycled rearrangement of seen all, heard photography aspects, nor was it just exclusive insight into one author’s personal experiences.
Those things certainly all have their place in photography but I found this particular book to be an insightful, accessible compilation piece, having taken the main rules of photography (both creative and technical) and concisely honing in on the main driving points, taking the best of each concept as it displayed advice and an image example of each.
From that standpoint, the author’s foreword discussed the meaning and principles behind the rules as incorporated into the title and content which I really appreciated since it clarified questions that I had. I think it was excellent advice to recommend integrating rules into your practice and break them one at a time to see what new things you can create.
So from that, each rule was thoughtfully curated, showing how they may or may not be broken to create compelling images.
I myself, feel I haven’t taken the time to be able to admire and understand the works by photographers. So I really enjoyed the quotes, the discussions, the theoretical concepts explained by each as they showcased some of their most powerful and iconic photos.
Perhaps it may be easier for readers to decide if this book is for them by telling about me.
To give some perspective, I have been taking photographs on and off for the better part of my life, mostly at my own amusement. I’m familiar with film and digital. Shooting mostly scenes of landscapes, wildlife, flowers, books, and recipes.
I have had limited formal training and never really kept up with the digital era and post processing achievements of today. I also haven’t kept up with the notoriety and skillset of photographers in recognition of their most famous works and the artistry/techniques they bring to the table.
However for the past year and a half I’ve sought to better my photography and challenge myself.
Concepts I really took away: not shying away from motion blur and better celebrating the movement to show the energy of a scene, choosing a subject regardless of figures, and definitely paying attention to lines and lighting more.
Also to break some terrible habits I’ve developed. Since not having been on social media for 6 months, especially not having been on Instagram, I feel more compelled not to tailor images to the constraints of the platform anymore. I guess I didn’t realize how much I catered my images to it with its square tiling, cutting off of margins, leaving me to frame images with an extra bumper of a gap and dead centering.
Techniques I’d like to try as a result of reading this book include: using the tripod more, practicing more slow shutter techniques, and trying a hand at photo composites.
I also liked the vast overview of concepts especially from a journalistic point of view since my knowledge and experience with that is minimal. I also liked how this book was organized and was easy to understand. Tidbits on referential connection, work submissions, publishing, ethics, captioning, working with models, even working in traumatic situations and image management were wonderful bonuses in this book.
Very enjoyable, I learned a lot!
