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Mastering Composition: The Definitive Guide for Photographers by Richard Garvey-Williams

Mastering Composition: The Definitive Guide for Photographers by Richard Garvey-Williams
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What makes a great photo? Flicking through the pages of most popular photography magazines you might get the impression that there’s only one rule of importance – ‘the rule of thirds’. Indeed it appears that some will judge the merit of a photograph based almost solely on this. Rarely do you hear discussion about ‘visual weight’, ‘balance’, ‘negative space’, ‘depth’ and so on.

Author and professional photographer Richard Garvey-Williams argues that success lies in a combination of four elements: an impactful subject; dynamic composition; effective use of lighting; and, perhaps the most crucial, ability to invoke an emotional response in the viewer.

Citing examples gleaned from a study of history – the Ancient Greeks’ Golden Rule; Fibonacci’s mathematical ratio; and the principles known as the Gestalt theory – the author analyses the concepts, rules and guidelines that define successful composition in photography and offers practical guidance to achieving great results.

Mastering Composition: The Definitive Guide for PhotographersMastering Composition: The Definitive Guide for Photographers by Richard Garvey-Williams

My rating: 5 of 5 stars

An excellent book on photography. I read this one for The Bite Shot Bookclub and really gleaned a lot from it.

It was super comprehensive which I devoured every morsel of, especially since it included vocabulary such as emergence, reification, multistability, amongst others, which I had no idea how to construct certain elements to make them come together to tell such a meaningful story.

I like how it showed side-by-side examples of cropped and uncropped images. The theoretical concepts were well explained. I really liked how it pointed out that in some instances, neither style was wrong but may be dependent on whether the photographer wanted to convey sense of space or sense of depth.

I enjoyed the bits about image manipulation and how to relate them to the interesting concepts of right and left, balance, and overall shape.

I think I would like to try photographing more shadows. The ideas explored about them in this book was great.

There is a lot packed into this book and I’d say this would be a foundational read for every photographer.

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