A haunting tale of suspense, rendered with the masterful skill only Barker could muster.
After the loss of his parents, young Jack Thatch first met Stella as a child—this cryptic little girl of eight with dark hair and darker eyes, sitting alone on a bench in the cemetery clutching her favorite book. Gone moments later, the brief encounter would spark an obsession. She’d creep into his thoughts, his every waking moment, until he finally finds her again exactly one year later, sitting upon the same bench, only to disappear again soon after…
SHE HAS A BROKEN THING WHERE HER HEART SHOULD BE conjures thoughts of early King and Koontz. A heart-pounding ride that creeps under your skin and will have you turning pages long into the night.
My rating: 5 of 5 stars
FTC disclosure: I would like to thank Hampton Creek Press for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
An excellent book, one I couldn’t put down!
I could stop there and just make a recommendation to read it, but I can’t help myself to explain as to why when it comes to critiquing and there were a lot of things I loved about this book.
Starting with the overall premise and writing. There was a uniqueness both in original idea and writing style. I saw similarities to other namely authors, perhaps with some influence, but this author writes with a certain distinguished, intriguing sentiment that is all his own. It was like having a weird dream that only makes sense in your mind, materialized, taking risks in writing style, and then the retelling of such a story done right.
To begin with, it had all the essentials of what makes a good opener for a book. It sucked me in within the first few lines and chapter. I got a feel for the context, personality, setting, time frame, all with a taste of mystery, built as a nice set up with all the elements that readers crave when starting and continuing to enjoy a book like this, especially since it crossed into many types of genres. It was the seamless delivery that was carefully constructed.
Within each scene there was an ease to reading. Perhaps it was the way that each sentence was crafted. They were not so rule-hugging and rigid, formulaic, or formal, but appropriately written to enhance both personality, character growth, and the flow of the story. The writing pushed the boundaries, embracing the realm of creative thought and feeding it right back into the story.
I really appreciated the story because the detective work didn’t overtake it. Terminology wasn’t constantly being defined and explained, but instead jumped right into an occupation with use of the norms and lingo in conversation as they are understood among the people that use them. If you’ve ever read more than one mystery or crime novel, you will understand this and know that it is not uncommon to see stories get interrupted and cluttered with a bunch of backstories, rationales of behavior, or an over-explanation of job duties, procedures, and protocols that can so easily take you out of the story rather than be a natural progression of it.
I appreciated that there was not grab a thesaurus, word substitutions for adjectives, action verbs, words for said, and transitionals just thrown in, but actual descriptions told in unconventional ways which was both refreshing and compelling. Breaking of traditional rules by leaving in run-ons and fragments only added to the story, keeping the logical flow, the pace, the conversation, the thought-process, to speak for itself.
Even brand names, literary remarks, and historical references were mentioned without excessive descriptions or nouns to follow which made for an even smoother read. It just worked. Perhaps because the author knows his audience and can take liberty in allowing the reader to connect with the time and place, and feel like the story was just written for them.
With each character, the narrator voice was spot on consistent and distinguishable with actions, thoughts, and feelings, even through growth. The reminiscent parts were not only accurate to events but also perspective, really true to the time. The voice of internal conflict and insight was appropriate for each character age group. For example school-age memories and dialogue was told from a child’s mind, reflecting the safe, carefree life of youth, and also included the irrational fears and immature actions that resulted. I appreciated the attention to detail, even the accuracy of a growing boy’s height according to growth charts, which made it all the more believable even within the domain of nonfiction, paranormal, and fantasy.
I liked that it took me back to childhood memories of required reading, riding bikes to Circle K, skid-marks in gravel, and the fear of tetany. It made me want to reread Great Expectations, even though I haven’t had an inkling to ever read it again since its requirement in grade school. The desire to read another book as stirred up by a book you’re currently reading is always a success in my mind.
There were also comedic references that were sometimes overt, sometimes subtle, and so very funny.
Lastly I loved the internal dialogue referencing deeper meanings in life.
All-in-all, it reminded me of the momentum, thrill, and excitement of choose your own adventure books, the joy in anticipation and satisfaction of what comes next.