Summer in Cornwall is the perfect time for a fresh start… Seven years ago, Marina Hudson’s husband was lost at sea. She vowed to love him for the rest of her life – but when kind-hearted Lachlan arrives in Porthmellow, should she deny herself another chance at happiness?
Tiff Trescott was living life to the full as a journalist in London – until her boyfriend’s betrayal brought it all crashing down. Fleeing to her cousin Marina’s cottage, Tiff feels like a fish-out-of-water. And when brooding local Dirk wins a day with her in a charity auction, she’s thrown headfirst into Cornish life.
This summer promises new beginnings for both Tiff and Marina. But are they too good to be true?
FTC disclosure: I would like to thank Avon Books UK for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
The stories in this book were excellent! It read as bright and cheery with unexpected deep sentiment as subjects of loss, grief, PTSD, betrayal, desire, belonging, and ambivalence in navigating life’s way were charted.
As far as writing, I really liked the way the characters were shaped. Guiding me to be drawn in rather quickly and profoundly, embracing and opposing certain characteristics of both the protagonistic and antagonistic qualities of the other, well done.
The incorporation of an inner monologue to help form/validate their actions and ideas was a little bumpy for me at first. It was the ease of reading, something about how much of the dialogue was followed by an underlying explanation for saying/feeling that way much of the time at the beginning. It just felt a little interruptive where instead I wanted the dialogue to be more genuine and more easily identifiable/distinguishable to each voice, to have a better understanding of the characters so it would come as a natural understanding without having it be pointed out in the inner workings of their head as much as it was. But I warmed up to it about 1/3 of the way in. Maybe it was more of a stylistic choice and was less pervasive and bothersome to me as the stories went on.
I also would have liked to have seen a little more involvement from the other friends and families of the characters to confirm character qualities and certain circumstances they found themselves in.
Loved the setting! Beachfront, Cornwall, England, the lifestyle of characters, jobs/businesses, leisure time, homes, all to go with it. It made so much logical sense and added a drawn in, dreamy, escapism-type attribute that complimented the overall themes of the stories and brought magnetic value to the succinct title of the book.
It was such a lovely read as far as plot was concerned. The connectedness and portrayal of relatability and realistic life circumstances, not cheesy, not overdone, nor over simplified. And the similes and metaphors, the pop culture references, I love it when writers take risks and just dive into such stuff.
I will definitely look forward to reading more stories from this author.
The #1 New York Times bestselling author of The Turn of the Key and In a Dark Dark Wood returns with another suspenseful thriller set on a snow-covered mountain.
Getting snowed in at a beautiful, rustic mountain chalet doesn’t sound like the worst problem in the world, especially when there’s a breathtaking vista, a cozy fire, and company to keep you warm. But what happens when that company is eight of your coworkers…and you can’t trust any of them?
When an off-site company retreat meant to promote mindfulness and collaboration goes utterly wrong when an avalanche hits, the corporate food chain becomes irrelevant and survival trumps togetherness. Come Monday morning, how many members short will the team be?
FTC disclosure: I would like to thank Random House UK, Vintage Publishing for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
I enjoyed curling up with a cozy blanket and a cup of hot chocolate for this one! I think anyone looking for a read that matches what you’d expect from the cover and title will be highly satisfied.
I loved how the author wrote, with the fast pacing, a very in-the-moment, spontaneous, almost fleeting style which I devoured in one sitting.
I liked the short time frame for this one, the straightforward descriptions, the ones used when something thrilling is going on and you can’t wait, speeding up your reading pace, and keep turning the pages.
I loved the ambiance created, the setting, being the snowy mountain, the plot, it was all perfectly aligned to tell such a great story.
I will say I did experience a little ambivalence at certain points, likely because I wasn’t really enamored right away. It actually took me a bit to get into it. I didn’t understand the details, the backstory, the relationships, and their little character quirks. I had a hard time keeping them all straight. I did receive an ARC, so it’s possible that a little rearrangement in between now and final publication could easily offer a little more guidance for readers like me.
And there was one, single line in the book that I just can’t anymore. I won’t spoil it for anyone, but I know some of my fellow readers are going to cringe much like I did coming across it. My feelings, so strong about it, it’s all in good fun though, maybe it’s actually becoming a joke at this point.
There was a lot of conversation in the story. Perhaps for the setting, I would have enjoyed a bit more related to the ski activities themselves, as in depicting conversations about what makes good powder, something to that effect to add some more connection and common ground between the characters.
I wanted them to sit around the fire more to warm up, as in also warming up the story, and drink smooth French hot chocolate. Hot chocolate was mentioned of course, but maybe I would have been a bit more captured by the unfolding of scenes if there were more bonding experiences or times of reminiscence, memories, maybe some kind of internal conflict, or application of some stereotypical company team-building exercise, something like that to play into the lovely, yet mysterious scenery and actions a bit more.
Something where the characters, other than the main ones, were a bit more distinguished. To feel drawn to caring about them. And there were a lot of characters to care about, but maybe I would have liked them to be more identifiable, with traits. Traits that would have fed into the scene a bit, and into their dialogue, and to the way they went one by one accordingly. I didn’t expect a deep, emotional connection, but I wanted a bit more dimension to the plot from that standpoint.
The last 20-30 pages had more of this type of character development and I liked the ending as a whole as a result. And though I had my suspicions of the ending bit a little earlier on, it didn’t spoil the rest of the story for me, but, then when confirmed, I was pretty much ready to put the book down. So I suppose for those last few pages, the wrap up was a little lingering than it needed to be for my particular taste in the moment.
But even then it was all done very carefully which made for a very compelling read!
“This book about rivers is as fascinating as it’s beautifully written.”—Jared Diamond, Pulitzer Prize-winning author of Guns, Germs, and Steel, Collapse, and Upheaval
A “fascinating, eye-opening, sometimes alarming, and ultimately inspiring” natural history of rivers and their complex and ancient relationship with human civilization (Elizabeth Kolbert).
Rivers, more than any road, technology, or political leader, have shaped the course of human civilization. They have opened frontiers, founded cities, settled borders, and fed billions. They promote life, forge peace, grant power, and can capriciously destroy everything in their path. Even today, rivers remain a powerful global force — one that is more critical than ever to our future.
In Rivers of Power, geographer Laurence C. Smith explores the timeless yet vastly underappreciated relationship between rivers and civilization as we know it. Rivers are of course important in many practical ways (water supply, transportation, sanitation). But the full breadth of their profound influence on the way we live is less obvious. Rivers define and transcend international borders, forcing cooperation between nations. Huge volumes of river water are used to produce energy, raw commodities, and food. Wars, politics, and demography are transformed by their devastating floods. The territorial claims of nations, their cultural and economic ties to each other, and the migrations and histories of their peoples trace back to rivers, river valleys, and the topographic divides they carve upon the world.
Beautifully told and expansive in scope, Rivers of Power reveals how and why rivers have so profoundly influenced our civilization, and examines the importance this vast, arterial power holds for our present, past, and future.
FTC disclosure: I would like to thank Penguin Press UK for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
Loved the opening. This book was super insightful and covered a wide variety of influences and the impact that rivers have on the world. There was so much I learned from this book and I liked the amount on detail overall.
This book was very well-researched which I really appreciated.
There were times I thought the organization was not as strong as it could have been. But I could see the challenge in deciding how chapters/concepts would be organized. Choosing from chronological, geographical region, topical, etc… There was much overlap to work through, also my feelings about the order may be in part because of the ARC I received.
Sometimes the writing took on a journalistic approach, sometimes a personal opinion piece, other times some facts and connections read sort of like an 8th grade book report. The facts and personal experiences themselves were certainly compelling, but the writing kind of droned on sometimes. Like the writing got away. Away on some bunny trails. Facts were interesting but a tad misplaced on occasion as it went into the depths of history/current events that were somewhat related but contained unnecessary supporting information/random associations that I was less inclined to care about for what I really wanted to read about in this book as far as the continuation of the topics go.
However I most definitely discovered some fascinating information about rivers and I think anyone would enjoy learning about these rivers of power and how they have shaped and continue to shape our lives.
A few years ago curator Sarah Urist Green left her office in the basement of an art museum to travel and visit a diverse range of artists, asking them to share prompts that relate to their own ways of working. The result is You Are an Artist, a journey of creation through which you’ll invent imaginary friends, sort books, declare a cause, construct a landscape, find your band, and become someone else (or at least try). Your challenge is to filter these assignments through the lens of your own experience and make art that reflects the world as you see it.
You don’t have to know how to draw well, stretch a canvas, or mix a paint colour that perfectly matches that of a mountain stream. This book is for anyone who wants to make art, regardless of experience level. The only materials you’ll need are what you already have on hand or can source for free.
You Are an Artist brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.
FTC disclosure: I would like to thank Penguin Press UK for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
This was such a fantastic book! I’d recommend it to anyone, any age. It would make a great gift.
Especially during these times of staying at home, for homeschool parents, teachers, as well any individual experiencing creative blocks within any type of media, anyone looking to exercise their artistic mind and skills, really anyone who wants to tap into an expression of themselves through art, whether you’re feeling super creative or going through a creative block, even a dry spell.
As far as content was concerned, it was out of the box, almost quirky, sometimes the bizarre, the peculiar, the types of art and art exercises I wouldn’t necessarily be inclined to make or decorate my house with or be typically drawn to. With that said; however, the art exercises focused on the actual doing of challenges, rather than an in-depth review of art interpretation which I think was unique to the world of art books and one that I definitely could use more time learning to appreciate and enjoy. And I had a blast doing them!
I found the projects in this book bringing out my imagination, much more hidden and less explored areas of my art perspective and a great creative outlet for my life in general.
I should also mention, and it was a real plus to the projects contained in this book, that you wouldn’t have to go out and buy tons of art supplies to complete the projects. You can pretty much use any items you’d typically find in any junk drawer in the kitchen. Paper, scissors, pen/pencil, and also easily use your phone for any of the photo activities.
The activities brought out ideas, rich sentiment, variations of emotion, which would otherwise be unexpressed. Some of the more unconventional projects contained in this book, combined with the background of select artists, made each exercise thoroughly enjoyable, insightful, and stimulated my mind.
I enjoyed the facts about each artist who was mentioned. Somewhat of an encyclopedia-type approach, such as demographical data, like when and where they were born, but it did not discuss their influences, accomplishments, or personal/artistic challenges in-depth. Which was fine. Perhaps we will see some of this in a subsequent book, which would be awesome, along with some of the psychology behind the routes toward finding self-creativity/reflection for those who may want to explore personal style and what types of media may express or suit an artist’s voice in the way they’d like to achieve. Or which ones would be the best exercises for them to do on more than one occasions and how to vary them to bring out even more of the elements behind the reasoning of including them in the book.
I hope you get to check out this wonderfully fun book! You can see some of the exercises I did on my website and I will be adding more over time. Be sure to share which ones you did in the comments, I’d love to see your project creations!
Blindfolding myself and drawing my home. This, my childhood bedroom.
I had several decorative phases and I rearranged my furniture a lot as a child. Taking out drawers of clothes to lighten the load, lying on my back, and pushing everything around with the strength of my legs and feet.
I had a heavy furniture set. A 4-post Oak wood twin bed with matching dressers. One tall, one shorter with a huge mirror. The black, metal pulls were a decorative, almost whimsical, paisley type shape, hanging down like an elaborate door knocker. They rattled ridiculously every time a drawer was opened.
During my purple phase, I had lavender carpet. The bedspread, the pillows, the curtains, all matching flowy, almost sheer, lightweight, white background with tiny lavender heart print. It was my dream bedroom decor, one I had picked out from the Sears magazine. Barbie and Popples wall decals. The 80s were great years to be a child. My drawings haven’t changed much since then.
Blindfolded left, open-eyed right.
Which one is more expressive?
These are photos of my mother’s purple irises in a few different perspectives.
Raiding the fridge.
Jalapeño poppers, need I say more? Oh my goodness these things are the best. My recipe for Stuffed Jalapeños (otherwise known as Jalapeño poppers, though this version is not battered and fried), can be found here.
So for the artistic exercise, I’d say the dramatic potential to everyday surroundings is captured in the photograph of which I took of two of them (I ate the 3rd early, leaving an oily rainbow glistening in its absence) and cooked them in the oven using a shallow variation of the classic cast iron dish.
Let’s take a moment to talk about cast iron pans.
If you’ve ever had a set of well-seasoned cast iron pans, you’ll know how they speak for themselves. Passed down from generations. From grandparents or a good yard sale. Shiny, the dark color of iron, consistently uniform and smooth. Distributing heat so evenly for cooking through and better browning which is the mastery of cooking. Fried fish, chicken, sautéed asparagus, pancakes, cornbread, anything tempura. Stove to oven, oven to stove. The best ones you can fry an egg on, flipping it over with ease. No catching, no broken yolks, no messy unintentional mix of crispy edges and mushy scramble.
They are the embodiment of a sincere human quality.
Well-loved, they’ve seen a lot. As individuals, they get better with time and their true contribution to this age’s wisdom is that as a whole, they also have collective longevity, having been in production since the 5th century B.C.
The context is the yummiest thing one could ever eat. The aroma of peppers and sharp, richness of baked cheese. Opening the oven door with a whoosh, a hot puff toward my face. The best comfort food on the planet. Golden tops of filled depressions, surrounded by slightly shriveled edges. Backlit by the jarring oven light, carefully sliding them out from the center rack. Oh the anticipated heaviness of iron, I gently tip the pan to let them settle on my plate.
“So unbelievably scrumptious” I say.
The heat from the ribs and seeds I left in each half. Tender roasted pepper flesh and more bite effort into the tougher, almost earthen skin. Such a contrast with the mingling creaminess, the tanginess of cream cheese, bits of fresh, pungent garlic, a sprinkle of parmesan, the perfect delicate balance of saltiness.
A path I’ve never been on before.
Here is a photo of a nearby pond from an edge I had never been on before. The quietest place possible. Absorbing the silence.
In the center of the flower, farthest back, crouches a metallic-turquiose fly. It flew away before I could get it in focus. I love the beautiful sheen of these common green bottle flies.
And just for fun, a photograph of a winged-insect I saw in my mother’s yard.
I just love morning light and the shapes I was seeing.
For the first time London’s legendary champions of brunch share the recipes that have made Islington’s Sunday Café a runaway success. Covering everything from quick and easy staples to fabulous feasts, and taking inspiration from a global list of ingredients, this book will take you all the way from cracking an egg to flipping pancakes and roasting pork – all with spectacularly Instagrammable results!
FTC disclosure: I would like to thank Quarto Publishing Group – White Lion Publishing for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
The recipes in this cookbook were just superb! Whether you are cooking for yourself, a duet, or entertaining for a crowd, beginner or chef, I think you’ll be inspired and satisfied.
I have yet to try every single one of the recipes, but I started with the ones leaning more toward the later brunch hours and they were so delicious! Be sure to check back on this post for continual updates as I continue to embark on the others I have yet to try out.
Many of the components of the meals worked like what I akin to a capsule wardrobe, being very versatile within a collection of recipes. The elements in each dish were easily carried over to other dishes, lending to a lot of additional flavor or varietal change.
I liked the spin on tradition and the decadence in each dish because they were layered in flexibility, making it easy to substitute an ingredient or pair down and still ending great final result.
With that said, it was somewhat challenging to gauge the quantity of both the components and the final dishes themselves. The elements and serving size results varied between each recipe as well, ranging from 2-12, which I wasn’t sure were always accurate either. I bake/cook a lot so it wasn’t horribly out of the way for me to figure out, but glancing ahead required additional planning/shopping/prepping as I found myself doubling and halving to meet the final specificity. Conversions were okay though because the balance of the flavor profiles were spot on, so even multiplying the recipes by a factor of 10 would still maintain the desired achievement in taste. And it all worked out fine though, because again, any leftovers and even the remnants themselves were easily repurposed in another dish, ie… the Mustard Aioli (my most favorite and latest sauce to put on everything so far!) goes well on anything and the whey for another recipe was specified for use in the Lacto-fermented Raspberry Soda so I liked that there was attention to minimizing waste.
I was so grateful to see that metric and imperial measurements were provided. Instructions were easy to follow. Photos were great with a moody, bistro type vibe. I really have enjoyed the selection of recipes and I enjoyed reading about the story behind the restaurant which inspired this cookbook. I must say I would have liked a little backstory of some of the recipes just to add a little more personality and to convey inspiration and additional interest.
Everything that I have tried so far has turned out with stellar results, whether original or with the substitutions I had to make. I’d highly recommend this cookbook for anyone. It would make a great gift!
The best carrot cake! I got so many kudos for this cake! Gluten-free and doesn’t call for much sugar, in fact, I think if you even left sugar out it would still be just as spectacular. I’d recommend the cookbook just for this recipe!
Over 150 essential mantras for anyone interested in taking good pictures.
In Photography Rules, Paul Lowe (expert photographer and lecturer) guides you through over 150 bite-sized dos and don’ts from the likes of Dorothea Lange, Don McCullin, Martin Parr, Rankin and Richard Avedon. Whether you’re a complete beginner using your iPhone, looking to improve your DSLR skills or are already a professional, this book will give you insider tips inspired by the greatest photographers from history as well as original pieces of advice from some of the most well-respected living photographers.
Each of the pithy entries will combine a specific rule and a supporting photograph or quote with commentary from the author on how best to put the advice into practice. Chapters include:
Making Photographs: Practical tips for taking great photographs, covering genre, composition, operational function, working with your subject, lighting, post-production and printBeing a Photographer: Insider guidance on attitude, creativity, understanding photography and finding your purposeProfessional Practice: Dos and don’ts about being a professional, working with clients, marketing yourself, developing your career, making money and collaborations With succinct, accessible and engaging entries, expert advice from the author, and original quotes from the some of the greatest living photographers – readers can either dip in at random or read religiously for lessons in how to produce photographs they’re proud of. This is the perfect book for students, amateurs or professional photographers looking to improve their skills and find inspiration.
FTC disclosure: I would like to thank Quarto Publishing Group – White Lion Publishing for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
This was the perfect book for me. It met me right where I was at. I’d recommend it to any photographer with similar sentiments to me as it provided a unique, thoughtful compilation of the great advice and a well-tailored focus of image examples out there.
It was refreshing to read and brought a distinguished and inspirational element to the photography section of my bookshelf.
It wasn’t a sell on equipment branding and specs, or a historical timeline of photography through the ages, an exhaustive technical how to, a recycled rearrangement of seen all, heard photography aspects, nor was it just exclusive insight into one author’s personal experiences.
Those things certainly all have their place in photography but I found this particular book to be an insightful, accessible compilation piece, having taken the main rules of photography (both creative and technical) and concisely honing in on the main driving points, taking the best of each concept as it displayed advice and an image example of each.
From that standpoint, the author’s foreword discussed the meaning and principles behind the rules as incorporated into the title and content which I really appreciated since it clarified questions that I had. I think it was excellent advice to recommend integrating rules into your practice and break them one at a time to see what new things you can create.
So from that, each rule was thoughtfully curated, showing how they may or may not be broken to create compelling images.
I myself, feel I haven’t taken the time to be able to admire and understand the works by photographers. So I really enjoyed the quotes, the discussions, the theoretical concepts explained by each as they showcased some of their most powerful and iconic photos.
Perhaps it may be easier for readers to decide if this book is for them by telling about me.
To give some perspective, I have been taking photographs on and off for the better part of my life, mostly at my own amusement. I’m familiar with film and digital. Shooting mostly scenes of landscapes, wildlife, flowers, books, and recipes.
I have had limited formal training and never really kept up with the digital era and post processing achievements of today. I also haven’t kept up with the notoriety and skillset of photographers in recognition of their most famous works and the artistry/techniques they bring to the table.
However for the past year and a half I’ve sought to better my photography and challenge myself.
Concepts I really took away: not shying away from motion blur and better celebrating the movement to show the energy of a scene, choosing a subject regardless of figures, and definitely paying attention to lines and lighting more.
Also to break some terrible habits I’ve developed. Since not having been on social media for 6 months, especially not having been on Instagram, I feel more compelled not to tailor images to the constraints of the platform anymore. I guess I didn’t realize how much I catered my images to it with its square tiling, cutting off of margins, leaving me to frame images with an extra bumper of a gap and dead centering.
Techniques I’d like to try as a result of reading this book include: using the tripod more, practicing more slow shutter techniques, and trying a hand at photo composites.
I also liked the vast overview of concepts especially from a journalistic point of view since my knowledge and experience with that is minimal. I also liked how this book was organized and was easy to understand. Tidbits on referential connection, work submissions, publishing, ethics, captioning, working with models, even working in traumatic situations and image management were wonderful bonuses in this book.
‘Two nations between whom there is no intercourse and no sympathy; who are as ignorant of each other’s habits, thoughts, and feelings, as if they were dwellers in different zones, or inhabitants of different planets. The rich and the poor.’ – Benjamin Disraeli
Today we are aware of the habits, thoughts and feelings of the rich, because historians write about them endlessly. The poor are largely ignored and, as a result, their contributions to our modern world are forgotten.
Here, skilled raconteur TERRY DEARY takes us back through the centuries with a poignant but humorous look at how life treated the ordinary people who scratched out a living at the very bottom of society. Born into poverty, their world was one of foul food, terrible toilets, danger, disease and death – the last usually premature.
Wryly told tales of deprivation, exploitation, sickness, mortality, warfare and religious oppression all fill these pages. Discover the story of the teacher turned child-catcher who rounded up local waifs and strays before putting them to work. Read all about the agricultural workers who escaped the clutches of the Black Death only to be thwarted by lordly landowners. Follow as hundreds of children descend into the inky depths of hazardous coal mines.
On the flip side of this darkness, discover how cash-strapped citizens used animal droppings for house building, how sparrow’s brains were incorporated into aphrodisiacal brews, and how extra money was made by mixing tea with dried elder leaves. Courtship, marriage, sport, entertainment, education and, occasionally, achievement briefly illuminated the drudgery; these were the milestones that brought meaning to ordinary lives.
The oppressed and disempowered have lived on the very outskirts of recorded history, suffering, sacrificing and struggling to survive. The greatest insult is that they are forgotten; buried often with no gravestone to mark their passing and no history book to celebrate their efforts. Until now. The Peasants’ Revolting Lives explores and celebrates the lives of those who endured against the odds. From medieval miseries to the idiosyncrasies of being a twenty-first-century peasant, tragedy and comedy sit side by side in these tales of survival and endurance in the face of hardship.
FTC disclosure: I would like to thank Pen & Sword for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
This book was fascinating! I’d recommend it to anyone. After reading this book I feel especially well prepared for a night of trivia. It was incredibly perceptive as it explored daily life and personal practices, living situations, origins of certain folklore, and social implications of peasantry, leading up to their revolt.
I loved the beginning question about choosing to live in any time in history and the answers that followed.
In referencing the Golden Age, comparing its perils to today, it was an enlightening exploration of how the impoverished experienced a certain way of life that only illuminated today’s strides in addressing social injustice, occupational hazards, sanitation, animal cruelty, entertainment, death, marriage, childbirth, child labor, legislation, literacy, technology, educational systems, captivity, and even sports.
Occupations themselves, such as matchstick girls, stood out to be one of the most shocking to me as far as risk for safety is concerned especially because of how far we have come in this world. It really gave a lot of perspective, respect, and value to our advancement in civilization.
The writing style was upfront clear and honest which I liked and further emphasized the very matter of fact tone and subject matter. The content showed a stark contrast as far as how humanity and social norms in general have come, which also lended itself to some humor since some of the concepts back in the day were quite absurd. There were bits of personal interjections that were lighthearted and confirming to my feelings which made this an amusing book to read.
I won’t comment too much on the writing in more detail or the organization itself because I did receive an ARC that was more in somewhat of an outline form than a final, cohesive piece. I do think from that standpoint the final form will likely be supportive enough to deliver such great content.
The quotes from historical figures and summarizations of points in time brought so much enrichment and credibility. References to classic literature, various philosophers, and playwrights such as Shakespeare was incredibly satisfying to me.
I think that each topic could also be expanded to provide further historical context and rationales of the time in a series type form, so I will be looking forward to reading more from this author.
From winter candy and spring quackers to summer’s scarlet farewell and autumn reveilles, noted nature writer Ted Williams invites readers along on a year-long immersion in the wild and fleeting moments of the natural world. This beautifully crafted collection of short, seasonal essays combines in-depth information with evocative descriptions of nature’s marvels and mysteries.
Williams explains the weather conditions that bring out the brightest reds in autumn leaves, how hungry wolf spiders catch their prey, and why American goldfinches wait until late July or August to build their nests.
In the tradition of Thoreau, Carson, and Leopold, Ted Williams’s writing stands as a testament to the delicate balance of nature’s resilience and fragility, and inspires readers to experience the natural world for themselves and to become advocates for protecting and preserving the amazing diversity and activity found there.
FTC disclosure: I would like to thank Storey Publishing for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
This was such a relaxing read that gave me a sort of feeling of gratitude and peace. I’d recommend it to anyone, especially nature lovers and anyone looking to unwind and learn a bit about plants, insects, and animals in the process.
The cover and title drew me in, piquing my interest by bringing back memories of reading the Farmer’s Almanac on my grandparents coffee table. I loved learning about the life cycle of species and their contribution to the circle of life, even folklore, superstitions, the rationales behind them, and it was all well-suited to bring such awesome wonder contained in this book.
The writing was steady, poetic at times. It read like I was a nature observer on the ideal expedition where time was not pressed, allowing me to take it all in. With the organizational divide into seasons, the descriptions of critters, plant life, and their habitats allowed the content to really highlight the most interesting and sometimes humorous attributes that made each one stand out in the environment.
And I really appreciated that the author did not dwell on perilous, doomsday, global warming issues, but rather pointed out species that have since dwindled in number and celebrated ones that have made a comeback.
Loved the delicate sketches. I would have loved even more, even just simple schematics.
I would like to see another one like this, even a series, perhaps specific to region.
A magnificent illustrated history of HMS Tyger, a fourth-rate ship of the Navy of Charles II.
Inspired by the recent discovery of mathematically calculated digital plans for a fourth-rate ship, written by the Deptford master shipwright, John Shish, The Warship Tyger is an illustrated history of the HMS Tyger, one of the smaller warships of the Restoration period.
Tyger was originally built in the middle of the 17th century and served in the Anglo-Dutch Wars. It was sent to Deptford for rebuilding at the end of the wars in 1674, but the ship was left to deteriorate over the next few years and ended up as a sunken wreck at the bottom of the great double dock. Eventually, the yard officers at Deptford wrote that there was “no such thing as the Tyger” and wanted to pay off the last warrant officers belonging to her. However, King Charles II decided otherwise and kept her on the books to eventually reappear as a “rebuilt” but in fact, entirely new ship in 1681.
This book is replete with beautiful and detailed illustrations of the construction of the Tyger and explores both its complicated history and its complex rebuilding, complete with deck plans, internal sections, and large scale external shaded drawings. The title also explores associated ships including another fourth-rate ship, the Mordaunt, which was purchased into the navy and had a dimensional survey made of her at the time by John Shish. A rare contemporary section drawing of another fourth-rate English ship and constructional drawings of Shish’s later fourth-rate ship, St Albans are also included.
My rating: 5 of 5 stars
FTC disclosure: I would like to thank Osprey Publishing for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
This book was outstanding both in content and narrative! I love anything maritime so this one was like candy for me.
It was filled with interesting details of ship building, particularly centered around those built in the 1600s, portraying the star of the show, Tyger.
The ins and outs of what it took to acquire materials, calculate, design, and build a ship that was seaworthy at that time was just incredible.
Woven into the organizational and technical feats were personal diary entries, old documents with their characteristically fine penmanship of elegant swoops of Ws, Ys, and Cs, inventory lists, maps, and beautiful illustrations showing ornate designs such as cherubim and lion faces carved at the bow. The pictures were pretty to look at and the addition of people characters to show scale was a nice touch and I liked that the illustrative style was consistent with the paintings of the day.
I really appreciated the extensive research put into this, it was super comprehensive!
This book would make a great study reference and conversational piece as both a coffee table book and for any private or public library.
Essayist, poet, and philosopher Henry David Thoreau (1817–62) ranks among America’s foremost nature writers. The Concord, Massachusetts, native spent most of his life observing the natural world of New England. His thoughts on leading a simple, independent life remain a foundation of modern environmentalism, as captured in Walden, his best-known work.Canoeing in the Wilderness, the 1857 diary of a two-week sojourn in Maine, chronicles the author’s travels with a friend and a Native American guide. In the mid-nineteenth century, the Maine woodlands were still in pristine condition, inhabited by a handful of Native Americans, pioneer farmers, the occasional lumberjack, and a rich and diverse wildlife population. Thoreau’s poetic yet realistic observations of the landscape are accompanied by his accounts of day-to-day events. From camping by the waterside and waking to birdsong to enduring mosquitoes and cloudbursts, he writes with grace and clarity that bring the American wilderness to vivid life.
FTC disclosure: I would like to thank Dover Publications for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
I’d recommend this to anyone. I found it to be an incredibly relaxing read especially during these moments in time, the perfect novella, palette cleanser, reflective, a great way to gain perspective and become grounded and mindful of the lovely things in life.
I loved how soothing the writing rhythm was, both poetic and philosophical, yet easily attainable and enjoyable without being overly complicated. It read with ease as if I was sitting around a campfire listening to the master tell stories of great adventure and oral tradition.
Stories centered on depicting appreciation for and observations of the natural world including adventure trails to canoe running, surrounding forest environment, woodland animals, and relationships with the Indians.
Thoreau’s stylistically simple, yet deeply personal and thought-provoking journal entries never fail to refresh my mind.
Mesopotamia, in modern-day Iraq, was home to the remarkable ancient civilizations of Sumer, Akkad, Babylonia, and Assyria. From the rise of the first cities around 3500 BCE, through the mighty empires of Nineveh and Babylon, to the demise of its native culture around 100 CE, Mesopotamia produced some of the most powerful and captivating art of antiquity and led the world in astronomy, mathematics, and other sciences—a legacy that lives on today.
Mesopotamia: Civilization Begins presents a rich panorama of ancient Mesopotamia’s history, from its earliest prehistoric cultures to its conquest by Alexander the Great in 331 BCE. This catalogue records the beauty and variety of the objects on display, on loan from the Louvre’s unparalleled collection of ancient Near Eastern antiquities: cylinder seals, monumental sculptures, cuneiform tablets, jewelry, glazed bricks, paintings, figurines, and more. Essays by international experts explore a range of topics, from the earliest French excavations to Mesopotamia’s economy, religion, cities, cuneiform writing, rulers, and history—as well as its enduring presence in the contemporary imagination.
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Villa March 18 to July 27, 2020.
FTC disclosure: I would like to thank Getty Publications for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
Fascinating! This book captured the fascinating work, with all the exciting elements of discovery adventure of many of the world’s firsts in both documentation of earliest civilization and supportive artifacts.
I think most people would say that they have wanted to be an archeologist or paleontologist at one point in their childhood and the discovery of Mesopotamia is ultimate. As an adult I get a bit of that recurring excitement when gardening, wondering what I will dig up, year after year. Wondering what it would be like to happen upon evidence of a lost civilization, to find buried treasure, pottery, dinosaur bones. This book took me there.
I love how it was organized, opening up with beautiful geographical maps, followed by timelines of settlement and people group chronology. More history books should model this just to set the stage for easing the reader in.
It felt like I was stepping into a museum. Everything was well-curated and flowed in ways that made sense with respect to both the timeline and subject matter. Occasionally some of the writing was a little bit dry, but I didn’t mind too much. I don’t know much about the behind the scenes/interworking of museums and how artifacts gets acquired and curated. So when this book covered how items have been strategically placed to form full-fledged museums and as featured pieces in others, I felt my interest becoming much more immersive into this type of content as I read on.
The catalogue of exhibitions and mentions of modern and futuristic contributions such as 3-D printing at the end of the book was stellar. I will look forward to visiting the J. Paul Getty Museum at the Getty Villa and this will make a great conversational/coffee table book!
A haunting tale of suspense, rendered with the masterful skill only Barker could muster.
After the loss of his parents, young Jack Thatch first met Stella as a child—this cryptic little girl of eight with dark hair and darker eyes, sitting alone on a bench in the cemetery clutching her favorite book. Gone moments later, the brief encounter would spark an obsession. She’d creep into his thoughts, his every waking moment, until he finally finds her again exactly one year later, sitting upon the same bench, only to disappear again soon after…
SHE HAS A BROKEN THING WHERE HER HEART SHOULD BE conjures thoughts of early King and Koontz. A heart-pounding ride that creeps under your skin and will have you turning pages long into the night.
FTC disclosure: I would like to thank Hampton Creek Press for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
An excellent book, one I couldn’t put down!
I could stop there and just make a recommendation to read it, but I can’t help myself to explain as to why when it comes to critiquing and there were a lot of things I loved about this book.
Starting with the overall premise and writing. There was a uniqueness both in original idea and writing style. I saw similarities to other namely authors, perhaps with some influence, but this author writes with a certain distinguished, intriguing sentiment that is all his own. It was like having a weird dream that only makes sense in your mind, materialized, taking risks in writing style, and then the retelling of such a story done right.
To begin with, it had all the essentials of what makes a good opener for a book. It sucked me in within the first few lines and chapter. I got a feel for the context, personality, setting, time frame, all with a taste of mystery, built as a nice set up with all the elements that readers crave when starting and continuing to enjoy a book like this, especially since it crossed into many types of genres. It was the seamless delivery that was carefully constructed.
Within each scene there was an ease to reading. Perhaps it was the way that each sentence was crafted. They were not so rule-hugging and rigid, formulaic, or formal, but appropriately written to enhance both personality, character growth, and the flow of the story. The writing pushed the boundaries, embracing the realm of creative thought and feeding it right back into the story.
I really appreciated the story because the detective work didn’t overtake it. Terminology wasn’t constantly being defined and explained, but instead jumped right into an occupation with use of the norms and lingo in conversation as they are understood among the people that use them. If you’ve ever read more than one mystery or crime novel, you will understand this and know that it is not uncommon to see stories get interrupted and cluttered with a bunch of backstories, rationales of behavior, or an over-explanation of job duties, procedures, and protocols that can so easily take you out of the story rather than be a natural progression of it.
I appreciated that there was not grab a thesaurus, word substitutions for adjectives, action verbs, words for said, and transitionals just thrown in, but actual descriptions told in unconventional ways which was both refreshing and compelling. Breaking of traditional rules by leaving in run-ons and fragments only added to the story, keeping the logical flow, the pace, the conversation, the thought-process, to speak for itself.
Even brand names, literary remarks, and historical references were mentioned without excessive descriptions or nouns to follow which made for an even smoother read. It just worked. Perhaps because the author knows his audience and can take liberty in allowing the reader to connect with the time and place, and feel like the story was just written for them.
With each character, the narrator voice was spot on consistent and distinguishable with actions, thoughts, and feelings, even through growth. The reminiscent parts were not only accurate to events but also perspective, really true to the time. The voice of internal conflict and insight was appropriate for each character age group. For example school-age memories and dialogue was told from a child’s mind, reflecting the safe, carefree life of youth, and also included the irrational fears and immature actions that resulted. I appreciated the attention to detail, even the accuracy of a growing boy’s height according to growth charts, which made it all the more believable even within the domain of nonfiction, paranormal, and fantasy.
I liked that it took me back to childhood memories of required reading, riding bikes to Circle K, skid-marks in gravel, and the fear of tetany. It made me want to reread Great Expectations, even though I haven’t had an inkling to ever read it again since its requirement in grade school. The desire to read another book as stirred up by a book you’re currently reading is always a success in my mind.
There were also comedic references that were sometimes overt, sometimes subtle, and so very funny.
Lastly I loved the internal dialogue referencing deeper meanings in life.
All-in-all, it reminded me of the momentum, thrill, and excitement of choose your own adventure books, the joy in anticipation and satisfaction of what comes next.