I love making these. Quick, simple, and hearty. Crispy bits of cheese, a tangy cream cheese center, the depth and earthy substance of mushroom, bursts in each bite.
I like to layer seasoning with Himalayan salt and pepper or Trader Joe’s Onion Salt. But even a 3 ingredient layer of mushroom, cream cheese, and shredded cheese is good in and of itself.
The key to not having a soppy, wet mushroom is to dry wipe the mushrooms clean of soil. If you must use water to rinse them, be sure to thoroughly pat them dry with a towel, paying close attention to the gills. You can also wash the mushrooms the day before and leave them overnight in the fridge so they dry out a bit. Reason is because the mushrooms will absorb water, leaving you with a soggy appetizer.
1 pound mushrooms, any variety
Himalayan salt and pepper (Trader Joe’s Onion Salt optional)
2 tablespoons unsalted butter
1 8 oz block cream cheese
1/2 cup cheese, any variety, grated
Prepare mushrooms as above, stems removed, place caps in pan.
Preheat oven to 400 degrees F (204 C).
Sprinkle salt and pepper and sliver of butter over mushroom caps.
Fill caps with cream cheese.
Sprinkle with seasonings again, then sprinkle on cheese.
Bake for 10-15 minutes until cheese is melted and golden.
It’s been a year since Lottie’s fiancé walked out, leaving her heartbroken. But things start to look up when she lands her dream job at a beautiful Lake District estate, with a handsome groundskeeper for a neighbour.
So when Lottie is asked to organise a last minute Christmas wedding at Firholme, she can’t wait to get started. Until she meets the couple, and discovers that Connor, the man who broke her heart, is the groom-to-be.
As snow falls on the hills, can Lottie put aside her past to organise the perfect winter wedding? And will there be any festive magic left to bring Lottie the perfect Christmas she deserves?
Curl up with this gorgeous story about love and second chances, perfect for fans of Trisha Ashley and Milly Johnson.
FTC disclosure: I would like to thank Avon Books UK for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
I love Phillipa Ashley’s stories and writing style. The plot, the twists were well thought out. I liked the feeling that something was lulling, something in the background, a secret still to be revealed, all while instant gratification reveals were woven throughout the plot.
I think anyone looking for Christmas story to read as the days lead up to the holiday will enjoy this book. Romance, tension, cutesy bits, family bond, fun, this book had it all. It followed a timeline like an advent calendar which I quite enjoyed. Built on relational aspects, it was an endearing look into love and loss, life tragedy with hope and cheer, a feel-good story that was not the typical predictable plot one would expect, and a real Christmas mood setter for me because the scene descriptions were so well-fitted to capturing Christmas spirit and described in a lovely way without being over-the-top..
Had all the elements I love in a book. A lovely Christmas setting, enthusiastic characters with life choices and places they wanted to go, descriptions that weren’t over-embellished, and a deeper life roadblock that was realistic and heart-felt.
Though, toward the end, the characters annoyed me. Some disconnects for me, like the mother-in-law reaction of only hoping they were meant for each other. I admit I wasn’t really hopeful for the happy couple either, not the other couple either I suppose. I wanted to root for them at the beginning, but I just wasn’t feeling it toward the end. The elements of the story were there but I guess there was more focus on the details of the event than working through the feelings that I wanted more of.
Some of the overall situations in the relationships were a bit weird to me. Like certain dilemmas made for detours I was less interested in. It was the feelings that were a bit displaced and lesser developed. I guess all-in-all it was hard for me to grasp the coming to terms of their feelings because a high emotion sequence needed a higher emotional response that I just didn’t see in the end. Time or pacing may have been a big factor, maybe from that aspect it could have lingered more in increased length of time to provide resolutions that would have been a bit more realistic. Started out strong though, but I wanted to see it carried out just as strong.
It was just their circumstances and being stuck inside each other’s feelings rather than finding their own. The characters, and I mean actually majority of the characters, didn’t seem to understand how their hurt was being projected. They all reminded me of that Simpsons episode where the family zaps each other as a form of aversion therapy… unsuccessfully: https://www.youtube.com/watch?v=JFCgz….
Marge’s response “Hey I thought we were making real progress…”
A bit patched up, a bit packaged up in a very presentable way; however, all while being a bit oblivious to their own being.
I thoroughly enjoyed all the Christmas magic and the way the cutesy parts were displayed, the dog, the pizza party, the gorgeously decorated venue, all for a very lovely time I spent reading and escaping the year’s exhausting moments.
As a single mum, care-home caterer Connie has thrown herself into online dating – or she had until one dating disaster too many. Now she’s hesitant…hurt in the past and with her son to consider, she won’t rush into anything. Then one of Connie’s elderly patients sets her up on a date at a beautiful German Christmas market – with the promise she’ll take a mini-bus load of pensioners with her…
Amongst the twinkling lights and smell of warm gingerbread in the old market square, Connie heads off on her date with a check-list of potential partner must-haves. Baker Henrich ticks all the boxes, proving to be reliable, thoughtful and keen. But when Connie meets Henrich’s rival William, she starts to wonder if ticking boxes is the answer.
Will Connie find the love of her life this Christmas, and if so – who will it be?
FTC disclosure: I would like to thank Random House UK, Transworld Publishers for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
This was such a sweet Christmas story. Loved the opening scene with life dynamic, getting right into both the middle of a story yet the beginning of an adventure.
I think anyone looking for a delightful, heart-melting, uplifting, lighthearted, yet meaningful Christmas tale will appreciate this book. It follows characters through relationships and the quirky things about aging, those learning to relish the little victories in life through grief and gain and finding satisfaction and purpose.
The story. With the foreshadowing of tidbits, coming full circle, made for a nice reveal of excitement and hope, the kind of feelings that come with Christmas. I loved the strides the characters made through the conflict.
The writing. I loved how Jo Thomas wrote. The authentic experiences, the setting, the character interactions, all were genuine. Gentle and not over the top, deep enough to bring real life into each character. She wrote appealing to all the senses and I adored the details in the baking scenes, and I especially adored the elderly insight and social activities. Nice way to shape the characters, coaxing them through their celebrations and dilemmas, all while providing entertainment and commentary along the way.
I would have liked a little more conversation of one certain relationship, to have developed a bit more in recognition of reconciliation. And one aspect teetered on less moral ground for my preferences. However I liked the inner monologue which helped to make the teetering situation more palatable for me, especially when the permissiveness and timeline of the situation, from this aspect of single and available both on paper and emotionally finally came to be.
I can’t comment on the recipes as they weren’t contained in the ARC I received. Bummer.
Overall the story was a well thought out plan. It kept my interest. Perfectly packaged but not without some bumps in the relationships, I loved the tension, the anticipation, the wonderings, the joy, the delightful way it all unfolded in this Christmas tale.
From the authors of the New York Times bestseller George Washington’s Secret Six, the little-known story of Thomas Jefferson’s battle to defend America against Islamic pirates.
Only weeks after President Jefferson’s inauguration in 1801, he decided to confront the Tripoli pirates who had been kidnapping American ships and sailors, among other outrageous acts. Though inclined toward diplomacy, Jefferson sent warships to blockade Tripoli and protect American shipping, and then escalated to all-out war against the Barbary states.
The tiny American flotilla—with three frigates representing half of the U.S. Navy’s top-of-the-line ships—had some success in blockading the Barbary coast. But that success came to an end when the USS Philadelphia ran aground in Tripoli harbor and was captured. Kilmeade and Yaeger recount the dramatic story of a young American sailor, Stephen Decatur, who snuck into the harbor, boarded the Philadelphia, and set her on fire before escaping amid a torrent of enemy gunfire.
Another amazing story is that of William Eaton’s daring attack on the port city of Derna. He led a detachment of Marines on a 500-mile trek across the desert to surprise the port. His strategy worked, and an American flag was raised in victory on foreign soil for the first time.
Few remember Decatur and Eaton today, but their legacy inspired the opening of the Marine Corps Hymn: “From the halls of Montezuma to the shores of Tripoli, we fight our country’s battles in the air, on land, and sea.”
Thomas Jefferson and the Tripoli Pirates tells a dramatic story of bravery, diplomacy, and battle on the high seas, and honors some of America’s forgotten heroes.
I really enjoyed this book. I’d recommend it to anyone interested in learning anything about pirates, the history of the U.S. Navy, as well as the life of Thomas Jefferson and other key players during the domination of the Ottoman Regencies.
I listened via audiobook by Brian Kilmeade which was great, read like an interesting news story.
It really opened my eyes to many of the things taken for granted through transatlantic commerce as well as oversight of the seas without a navy, the effect on insurance, and trade diplomacy. As well as Barbary Wars situation with its significance to end piracy within the North African coastal regions. I really liked hearing about the USS Washington.
I absolutely loved the description of the floating zoo, carrying not only the ambassador but captives and gift of 4 horses, 25 cattle, 150 sheep, 4 lions, 4 tigers, 12 parrots, 4 antelopes, on top of pointing the ship East in observance of Mecca 5 times daily sailing in storms and all.
The weather is turning, Starbucks Pumpkin Spice Latte came out yesterday, decorations on my shelves, and I’m in the mood to bake. We’re coming upon my favorite season.
Technically the first day of Autumn doesn’t start until Tuesday, September 22, but I like to start celebrating the day the pumpkin spice latte comes out. I tried the Pumpkin Cream Cold Brew yesterday and it was so good!
I feel so blessed to have been able to experience 3 seasons of autumn this past year between the Northern and Southern Hemispheres.
As we embark again on the beautiful season, here’s some incredible things to anticipate in the next few months.
Change in Landscape
I love the autumn landscape.
Desert grasses and tree foliage of sage brush, mesquites, palo verdes, or broad leaf deciduous maple, oaks, and aspen. Deeper greens, yellows, reds, and oranges.
I embraced the contrast of this shot where warm meets cool.
Creatures Calling a New Home
Pollinators such as bees start to huddle in their hives, while butterflies migrate south.
Fall baking is the best. Cinnamon, cardamon, nutmeg. Incorporating seasonal fruits as they ripen, varieties like peaches followed apples, cranberry, and orange.
Scents of Autumn
Though the following scent of has notes of a bright and tangy summer, the sweet and sour of the classic drink, I’m still using it for the tail of summer as we transition into colder temperatures and for those days when gloomy weather becomes too much.
Opening my candle drawer and seeing all the goodies to choose from brings me so much joy.
The glow through the glass, the scent of sugar cookies, juniper, berries, apples, and sandalwood.
Perfumes go from light, crisp, floral scents to deep notes of amber that still have a mild citrusy characteristic.
One of my favorites below (from a lifetime collection of samples) has key notes of Italian bergamot, orange flower, lavender.
Other Edible Treats
Layering plain yogurt, honey, seasonal fruits, topped with crunchy oats and shredded coconut makes for a delicious breakfast or a quick snack. I used grapefruit and huckleberries most recently.
It’s pineapple season on the islands and if you don’t have access to a fresh one, right now Maui Gold Pineapple is shipping throughout the U.S. (except Alaska).
2-day delivery straight from the gorgeous pineapple plantation.
Sounds of Autumn
Imagine relaxing, ASMR, sounds of rain as you sip coffee in a coffee shop, nature sounds, and rustling leaves.
Check out the YouTube Channel Autumn Cozy for a serene, happy, and rich experience while watching an animated fall scene.
Upcoming Book Releases
There are so many exciting publications coming out.
I like to read mysteries, thrillers, and a bit of horror during this time of year.
Michael and Megan Fitzgerald are siblings who share a terrifying past.
Both adopted, and now grown — Michael is a long-haul truck driver, Megan a college student majoring in psychology — they trust each other before anyone else. They’ve had to.
In Los Angeles, Detective Garrett Hobbs and FBI Agent Jessica Gimble have joined forces to work a murder that seems like a dead cinch. Their chief suspect is quickly identified and apprehended –but then there’s another killing just like the one they’ve been investigating. And another.
And not just in Los Angeles — the spree spreads across the country. The Fitzgerald family comes to the investigators’ attention, but Dobbs and Gimble are at a loss — if one of the four is involved, which Fitzgerald might it be?
From coastal California to upstate New York, Dobbs and Gimble race against time and across state lines to stop an ingenious and deeply deranged killer — one whose dark and twisted appetites put them outside the range of logic or experience.
FTC disclosure: I would like to thank Little, Brown and Company for providing me with an advance reader copy via access to the galley for free through the NetGalley program.
Wow the suspense!
This was an interesting read for me because having read books from both authors, (90s Patterson and a few from the Michael Bennett series, Barker, from the latest She Has a Broken Thing Where Her Heart Should Be and Dracul), I had certain expectations and was not sure how a blend of creative elements and the diversity among the two would play out.
I was excited and I also had questions. Was this going to be a cross-over for new audiences or existing readership or appeal to both? Would it be fresh or familiar and would it even matter? Would I be experiencing reader confusion if there was a certain continuity I was looking for in the writing and storyline? Who contributed what as far as idea, vision, and implementation? Were there creative differences and how did those get worked out? I wanted to know. I don’t know why I wanted to know these things, I just did.
So I’ll just say when I was reading, there were certain recognizable traits I identified and the collaboration was executed fabulously.
The storyline. Ah, makes so much sense. Red herrings, yes, you got me. Ending, yup, well played. The police force with feasibility and critical knowledge, so well polished, and I just love it when I can read a book and not feel the need to nitpick these things apart.
The writing. So fast paced and decisive, as the storyline calls for and the immediacy was so incredibly satisfying. It was a captivating, dive-in of an opening. A few hard-driven parts were almost borderline overstimulating for me, but nonetheless, I happily devoured the book in one sitting.
The lines written without apology, a very natural, yet precise and enticing way of wording, compelling but not over worked or over thought. And there was this persuasiveness that was essential for such a detailed, psychological thrill which was just entrancing. I recognized certain stylistic features that just cut through my mind like, oooh that’s eerie, oooh that cliffhanger, so solid, I’ll keep reading.
I loved how dual scenarios and POVs converged at the surprise elements while still maintaining their distinction. There was this unique quality to the writing, especially for the crime fiction genre, where the voices were undoubtedly distinguishable in both thought and action. I feel like sometimes character traits and voices tend to take on the same persona and get muddy when police investigations take place, definitely not the case in this one.
I loved the characterizations of people, as well as general observations of personal characteristics/habits themselves. And the scenery, I mean Needles, CA., if you’ve ever driven through, you’d recognize that the description of the settings were spot on.
And of course I loved the literary references and the quotes from within the story itself. They generated their own deep significance that articulated the intricacies of the plot so well.
A solid read and I’m looking forward to seeing more collaborations like this.
From a creative standpoint, it’s been a struggle for me to find concentration and patience for taking photographs. I’ll think of something and then want to rush through it. My most creative ideas come at night and they’re gone by the morning.
Over the past few months though, I’ve been trying really hard to take my time, taking aim at depth and composition.
My latest goal is paying more attention to layers, shadows, depth of field, texture, and various shapes to better frame and show distance, scale, and perspective of subject matter.
Here are some shots I took while recently traveling to the Northwestern United States as well as my latest in reading and baking.
“Rest is not idleness, and to lie sometimes on the grass on a summer day listening to the murmur of water, or watching the clouds float across the sky, is hardly a waste of time.“
— John Lubbock
The joy in finding the perfect place for a picnic. I tried showing the vastness of grasslands extending between the log fence and pine trees. Distant mountains still with snow. No one would ever know that I had to stand on my tippy toes to get this one lined up the way I did.
Dark Chocolate Pudding Oreo Cookies. For this one, I tried to fill in the background, separating the foreground and the background, showing the recognizable Oreo in a subtle way, creating a slight “S” shape flow to my composition.
I’m still deciding on how many eggs to put in this one, but a recipe will be coming soon!
Fresh Water for Flowers by Valérie Perrin. I just received this newly translated release in the mail. A #1 best-seller in France, described as a delightful, atmospheric, absorbing fairy tale full of poetry, generosity, and warmth.
I enjoyed thinking about the placement of this one. Fading flowers, the waterfall in the background, a rosy hued reflection of bright pink petunias projecting onto the cover.
I’m really looking forward to reading this one.
Contrast through shadows.
I love taking photos of bugs. I liked the shadows in this one.
This black and white spotted, fuzzy fore-legged flyer is a White-spotted sable, species of Crambid snout moth, also known as an American white-spotted sable.
Sunset over Flathead Lake, Montana. A little nestle of trees opening to reveal logs accumulating on shore and a glorious peek into the orange haze sun.
Big sky justice.
Standing on a mountain. The foreground with sage brush, quartz, it plunges down, then meets the height of other peaks. It’s hard to gauge the vastness, the mileage beyond, I tried my best to capture it and zone the onlooker onto the spotlights where the clouds part over the terrain.
“Do you see over yonder, friend Sancho, thirty or forty hulking giants? I intend to do battle with them and slay them.”
— Don Quixote
Link your responses/images to this photography challenge below, I’d love to see them!
A dear friend introduced me to this recipe when I was living in Malawi, Africa. They are called skaba za sugar in the Tumbuka language, sugar nuts in English.
They are sugared peanuts, similar to what you would find in a cone-shaped bag at Disney Land or at the fair.
Peanuts, known as ground nuts, also commonly known as Spanish peanuts or red peanuts, are actually endemic to South America. They were one of the most protein-rich food items I could find in our local community. My friend sells them at her shop.
The ground nut plant likes warmth and sun and loose, sandy soil, which I found was the predominant soil composition, hence why they grow so well there. They’re actually not too difficult to grow in cold climates either, having tried it in agricultural zone 6, as long as you get the soil right.
The sugar-preservation keeps them around a bit longer and they are a wonderful source of niacin, thiamin, folate, and iron that you can easily keep on hand year-round well after the growing season is over.
They have become my go-to recipe for a quick and satisfying snack.
They are also great as a treat to bring to a party or given as a gift in a treat bag tied with a bow.
It’s super important to make sure that you cook the peanuts in the liquid mixture until it has mostly evaporated so that when you bake it, the peanuts won’t turn into a brick of peanut brittle that gets stuck in the pan. Baking hardens the outside, though I had to skip baking a couple times when I didn’t have electricity and they tasted great, just a softer texture.
When prepared as below, they have this semi-crunchy, chewy texture that is so fulfilling.
GLAZED SPANISH PEANUTS:
3 cups raw Spanish peanuts (ground nuts with skins)
1/2 cup water
1/2 cup granulated sugar
1 tablespoon real vanilla extract or paste (optional)
GLAZED SPANISH PEANUTS:
Cook peanuts, water, sugar, and vanilla in a pan over low-medium heat until mixture becomes gooey and liquid is all evaporated. Be patient as too high of a heat will burn them, though if you do, they actually still taste yummy, so don’t throw them out if you mess up.
Spread peanuts on a cookie sheet or shallow dish and bake peanuts in 325 degree (163 C) oven for about 20-30 minutes, stirring frequently, about every 5-10 minutes, until sugar begins to crystalize.
Quickly spread peanuts over a surface of foil, parchment paper, or wax paper to cool.
Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism.
Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father’s book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father’s death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.
In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
I was really drawn into this one. I think it was because there were so many moving parts and it had all the mysterious elements that make for an interesting story. There were some issues with the writing and the story itself, however I was along for the ride anyway.
I read this one for the Literally Dead Book Club. I listened to the audiobook version, narrated by Cady McClain and Jon Lindstrom which I enjoyed.
The story. I liked the build up. I liked the atmosphere, the setting, the elements of backstory and going back in real time with changing POVs to meet somewhere in the middle. I couldn’t decide whether it was going to be based on my lack of information, or psychological, or supernatural, or a simple thought-experiment, it kept me on my toes. I also like to go in blind with books, barely skimming the descriptions, looking for themes and key words that either turn me on or off to a story and diving in from there and this book was easy for me to get into based on just a few interests of mine, mostly having to do with a Victorian estate.
I liked how it played heavily on the emotions of scare tactics. There were unmentioned assumptions which were well played. Assumptions that people freak out over snakes, startled by creeps of hidden floor boards, flickering lights, music, appealing to a multitude of senses, creating a frightening scene and letting the reader play on those emotions and reactions, indulge in risking that readers would respond in such a way author intended without drawing unnecessary attention to itself as a thriller and doing more of the show instead of tell which went a long way.
This book was great, it definitely got super messy though. Mostly related to the composition of the plot which left loose ends, relied on convenient amnesia, question of plausibility, underlying lack of communication which created a sort of drama fatigue with ever-changing new leads and secrecy that started off convincing, yet only to a point.
The characters. Ali had some characteristics I had expected from a daughter but came off as then it is but then it’s not, the relationship with her family was this, then it wasn’t. Flipped back and forth. Emotionally expressive verbally with adoration for her father but emotionally absent in every other way. I wanted the personal threats to the female main character to feel a little more personal in a realistic way. For her to be very much in the headspace of denial with counter arguments that don’t hold much weight with her continued action to pursue sleuthing, then it kind of fell apart from that aspect.
Character roles. Surprised at word choice of professionals such as the chief saying crime scene guys instead of detectives. Contradictory whether the old furniture had any value or obvious signs of water damage for someone who renovates houses, also no home inspection, no blue prints, even for a historic home were just some things that were amiss for me.
The ending. And the ending? So unsatisfying. A cover up? No thought to age of reason?
But I liked this book anyway, go figure. I was just in the mood for a read like this and it delivered in ways that were outside of the shortcomings I felt it had and I really enjoyed it.
Consider this glowing debut from Paige Lewis a menagerie of near-extinction. Space Struck explores the wonders and cruelties occurring within the realms of nature, science, and religion, with the acuity of a sage, the deftness of a hunter, and a hilarious sensibility for the absurd. The universe is seen as an endless arrow “. . . and it asks only one question: How dare you?”
The poems are physically and psychologically tied to the animal world, replete with ivory-billed woodpeckers, pelicans, and constellations-as-organisms. They are also devastatingly human, well anchored in emotion and self-awareness, like art framed in a glass that also holds one’s reflection. Silky and gruesome, the poems of Space Struck pulse like starlight.
I really enjoyed this one. I read this one for Life’s Library Book Club. I’d recommend this book to anyone, whether a newby to poetry or a seasoned reader of poetry, anyone in between.
It was a very accessible book of poetry, it was a little generational, but overall encompassed a lot of shared sentiments through recognition.
This one engaged those parts of my brain, like the moments of slight panic or chaos followed by relief and serenity. Like reading Sunday comics after heavy news pages, finally finding the mate to the last pair of socks while doing laundry, sitting on the tarmac in a plane you thought you were going to miss. It’s this satisfying feeling of gratitude and calmness, things are ok, a type of feeling of accomplishment, entertainment, and relaxation for your soul.
I suppose I don’t read poetry enough.
Poetry to me takes a certain amount of discipline. Discipline I don’t always have. A certain amount of concentration. Concentration I don’t always have. It’s never my first pick when choosing a book, but when I do find something I enjoy, I ask myself why don’t I read more?
I think it’s because the audience for whom the book is intended is not always well-defined. And sharing one’s feelings, pondering, and outlook on life is so super subjective and often boring without context, plot, leading trajectory, as a lot of poetry goes from my experiences, that its appeal is somewhat limiting. My exposure altogether is limited so I can’t speak for all. Poetry typically has relational/social concepts, presented as overly complex, yet dubious, often incredibly specific to culture, upbringing, and life experiences that aren’t always commonly shared, ones I don’t understand or find far-reaching or weird, and then to put it into writing in a riddle-like stanza is like double dissatisfaction for me.
Anyway, about the book.
I loved the lines referencing nature the best. The observations and inquiring when to intervene, whether the subject matter stirs up anger, then confusion, let it be, it’s nature. It was an interesting concept for me.
I liked that much was intertwined with bits of history.
I liked that the format of poems where changed up.
Some more vague and personal than others, parts I felt a little naive, then though “Oh, ok.” Others I truly didn’t “get” still very intriguing to read. Some with bits of pop culture, childhood relatability, some depicting more intimate aspects of a relationship, some religious interest, some contemplative, some speculative. I liked the variety.
And I also liked that it was short and that single-subject concepts weren’t exhaustive/belabored/overly descriptive or too-trying. It expressed a feeling/concept and moved on.
But I think what makes this collection unique and interesting to me was how it balanced abstract thought and tangible, concrete circumstances, much relative to my own generation, which made all the difference.
MY FAVORITE CHAPTERS/POEMS:
Diorama of Ghosts
MY FAVORITE LINES:
“It’s nothing. The sun, with its plasma plumes and arching heat, is five million miles closer to Earth than it was in July, and we are still alive.”
Licking her wounds from her divorce, Stella impulsively buys a gift shop and two holiday lets in glorious Swallowtail Bay, hoping for a fresh start with her King Charles Spaniel Frank.
When the neighbours meet her with a warm welcome, Stella knows she’s found the new home she was looking for. Even gorgeous but grumpy local Miles can’t take the shine off things. But then her ex-husband announces he’s getting married again, and someone in the village starts gossiping about Stella…
Is Stella’s dream over already? Or, with her new friends behind her, can Stella fight back and save her new life – and find the happy ever after she’s been waiting for?
This was ok, sort of liked it, sort of teetering on my opinion about it. I really wanted to like this one more than I did though. I couldn’t stay focused on it. I think those who like a slow, easy feeling read will enjoy this one more than I did.
I loved the idea of the story, the business, the shops, the bay, the small town, people being friendly, learning about the character circumstances, how they got there, how they were coming to be, the things everyone was doing, the setting.
But getting through loads of descriptors after the first 20-30 pages really bogged down my reading experience.
I felt like I was wading around the surf in JNCO jeans. Almost two pages dedicated to describing the flat was unappealing to me. The overly detailed descriptions didn’t add much depth or interest, rather they became incredibly distracting as I read on.
Just the flat, knowing everything about it being dirty, the layout, the furniture, actually leading to repetition and over-emphasis throughout the book. Then the activities of walking up to meet someone, reaching for a knob, opening doors, closing doors, glancing out windows, putting a cup to their mouth, setting the cup down, using a napkin, picking up a fork, loading the fork with cake, taking a bite, setting the fork down, their every physical move documented with every interaction.
It was just too slow-paced and bulky, cluttered for my style, obstacles to my enjoyment of what I thought was actually a really story so I will look forward to exploring more from that aspect.
I’m interested in checking out the others in the series and seeing what they are like.
On an island off the coast of Ireland, guests gather to celebrate two people joining their lives together as one. The groom a rising television star. The bride a magazine publisher.
It’s a wedding for a magazine in a remote location. As the champagne is popped and the festivities begin, resentments and petty jealousies begin to mingle with the reminiscences and well wishes. And then someone turns up dead.
Who didn’t wish the happy couple well? And perhaps more important, why?
The story. The story was so well thought out. I think the effect was there, an enjoyable thriller, winding tighter and tighter, chapters transitioning from back story, to real time action, shortening in length as they went on, the intensity increasing like a tether ball winding around the pole at 4th grade recess.
Weddings are stressful for everyone and all the elements of wedding bliss and actual outcome were captured in the most dynamic way. I liked that this was an isolated closed mystery story taking place on an exclusive island with a fitting topography and Celtic history that drove the plot forward.
And it’s one of those books I think, predictable or not, if you wanted to by all sleuthy, there’s enough satisfaction in the story and satisfaction in the writing that an early lightbulb moment would be just as fulfilling reading onward.
The writing. I loved the strategically placed words, hinting about what was to come related to someone not leaving the island the way they arrived. I liked the strategically placed red herrings, the foreshadowing with words like… well I won’t quote the phrases, but they were letting me know something very specific was going to take place.
I really liked the way the POVs were done. First person narrative was done well with quite a bit of varied sentence structure and presented with a style of foreknowledge and knowledge acquisition in a really fresh and interesting way, especially when it came to description of physical traits which aimed for unbelabored accuracy in just a few words.
It was not as linear as I had expected in the beginning. Parts felt like chapters were missing with the multiple POVs, foretelling mixed with current events. I realized though how much I dove in, speed mode, by the time I got to page 30, realizing I was finally starting to commit things to memory and so I decided to restart the book and then it all made so much better sense to me.
Characters. First off the character roles were perfect, the couple, the plus one, the single… A wedding party composed of friends and family, reminiscing over everything you see and experience from the social aspect at wedding festivities from shared memories, childhood crushes, deviant behavior, life successes and failures, talents, desires.
I thought it was all well done especially when it came to character distinction, partly in due because of the age range/generational similarities and the author made them all shine in their own way.
Personalities from dialogue to inner monologue, action, all following suit and each had attachments of deeper connectivity, defining life stories with hopes and dreams, insecurities, consistent with life stages, elements of what could have been and nostalgia of pasts relationships, regret, even down to the awkwardness of joining conversation, all interwoven in such a way I couldn’t wait to see what would happen next. All of it nicely curated to fit perfectly within the story being told.
Some questions, but not deal breakers. I did want to know what happened to a certain character aside from the emotional response that was displayed. Was it a lost one? I don’t know. And I don’t know if it really mattered. I enjoyed reading the story so much anyway, but thought I’d mention it because it did linger in my head.
It did end sort of abruptly after the peak. I kind of wanted to see a bit more character reflection after the reveal, especially of a certain few. I didn’t expect to have full resolution or discourse, but just a little more internal dialogue or character interaction to bring situational awareness to everyone involved as a bit of closure to the post wedding festivities and relationships. Likely my feelings about this are because the greater first 3rd was more about building up character dynamic than action and I would have liked the story to have picked up a bit again from this angle in the end for full circle completeness.
Super good book nonetheless!
MY FAVORITE LINES:
“I look down at the spilled contents, shining gold tubes of mascara and lipsticks rolling in a bid for freedom across the floorboards, an overturned compact leaking a trail of bronzing powder.”